The film is a standalone origin story for the villainous clown, unconnected with any other DC Comics movie and not a strict adaptation of any particular Joker story. Joker snagged the top prize at the Venice Film Festival and earned largely positive reviews, but the road to release wasn't free of controversy. Joker 's subject matter received backlash , and in response, Phillips took an aggressive approach to defending his movie.
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Who is Gary Glitter?
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The most striking shot of the Joker in Christopher Nolan's The Dark Knight , a superhero adventure with the brooding tone of a crime saga, arrives in the second half of the film as the clown-faced villain, exhilarated after staging his escape from jail and tricking Batman yet again, sticks his head out a cop car window. As the vehicle races through the streets, the city lights blurring behind him, Heath Ledger shakes his greasy hair in the wind. It's a small, quiet moment -- less flashy than the "pencil trick" scene and less important to the plot than the tense interrogation showdown -- but it lingers as an isolated image, the perfect crystallization of the character's free-wheeling, anarchic nature. After committing a particularly gruesome act of violence, Joaquin Phoenix's physically gaunt, psychologically tormented version of the character triumphantly dances down a large set of concrete steps in Gotham. Dressed in a garish three-piece suit, he throws his limbs wildly, like he has been unburdened in some profound way. On the soundtrack, a familiar song from the s plays: " Rock and Roll Part 2 " by the British glam-rock artist Gary Glitter, a convicted pedophile currently serving 16 years in prison for abusing three young girls. Following the film's premiere at the Venice Film Festival, where it took home the prestigious Golden Lion Award, the use of the song, which will likely result in a significant payday for Glitter, was noted in some reviews. Who is Gary Glitter? Over his long career, he released seven solo albums, in addition to multiple compilation records and live recordings, but he achieved his greatest mainstream success in the s, when glam-rock, an influential subgenre known for its glitzy sound and outrageous looks, was at its peak in the UK. With his sequined outfits and Elvis-like pompadour, Glitter celebrated rock's kitschy past while pushing it into the future.
After reading the film's script, Hildur was asked by director Todd Phillips to write some music based on her feelings of the Joker screenplay, which she was inspired to do so as it resonated with her. Todd Phillips signed on to direct the film Joker for Warner Bros. I was sending her script pages and she was writing music before we even shot [ It was a really lovely, straightforward, non-violent dialogue. Unlike her previous collaborations, Hildur began composing Arthur's theme during the pre-production of Joker , with Phillips initially hiring her simply to come back to him with some ideas rather than a full score. Hildur stated that her score was going to be "completely different" from what we are used to hearing from her. I played it for him, he loved it, and he just started doing this slow dance to it, and out of nowhere this gracefulness comes out of Arthur [ In going back and forth between Chernobyl and Joker , Hildur remarked that it wasn't an easy process due to the differences in tonality, worlds, and structure of the two pieces,  whilst noting that Joker is the most "classical" score she's written, as it's very melodic, and follows a film score structure with the development of themes repeatedly. And this version was surprising for everyone.